
For six long years, we had been waiting for Phoebe Bridgers’ soul-captivating, spine-tingling unique voice and lyrics. But when you listen to her new album Lost Weekend and feel that emotional storm washing over you, you simply say, “It was worth the wait.”
Turning 32, Bridgers doesn’t hide her reproach toward men who still act like children and take pride in it in the chorus of her fresh single “Lost Boys”: “Lost boys never grow up, never get old.” Criticizing this condition known in psychology as the “Peter Pan Syndrome” with a witty and sharp tongue, the artist ends the track by saying, “Lost boys, come find me,” signaling that she still leaves a slight door open to men’s childish ways.
One of the most exciting details in the song “Lost Boys” is the line “that moment in East Berlin.” Behind the track depicting that night when her boyfriend played with a handgun and broke his rib, is there that famous East Berlin adventure Phoebe shared with her younger brother Jackson during a night at Berghain—which they swore to keep secret—or is the song a hidden anti-character war lament? That’s the sweetest part of Phoebe Bridgers’ songwriting: that mischievous depth that drives us to guess the truth behind the story for hours.
Produced alongside masters of celestial harmonies like Jack Antonoff, Tony Berg, Ethan Gruska, and Alex G, the song is a melodic masterpiece etched into the mind within just a couple of listens.
Phoebe Bridgers is making headlines not only with her music, but also with her war against the smartphone epidemic ruining the concert experience! At her latest sold-out concert at New York’s Madison Square Garden, the audience’s phones were locked in special fabric pouches, and people raised their lighters into the air at a concert for the first time in nearly 20 years. Bridgers’ upcoming tour will also offer a completely phone-free experience.
“The Lost Tour” Germany Dates:
Taking its title from the painful 1.5-year period John Lennon experienced after separating from Yoko Ono, Lost Weekend met the music world on August 14. Having lost her father Tony—with whom she had a complex relationship—at the end of 2022, Bridgers processes this loss through striking tracks like Still Standing, which evoke grief and anger simultaneously.
Braver than ever with her vocal delivery, Phoebe screams almost like Björk in the song As Above, while establishing the emotional backbone of the album with Bobby—written for her comedian partner Bo Burnham—and Kill Me, which leaves the listener breathless for 4 minutes and 42 seconds.
Evolving into an iconic figure of her generation akin to Joni Mitchell or Joan Baez, Bridgers proves once again—after winning 3 Grammy Awards with her band boygenius and her collaborations with SZA—that she is playing in a massive league far beyond the indie-folk-pop lane.