
Luxembourg + Co., 2 Savile Row | June 5 – July 31, 2026
Stained glass was, in fact, the most complex and advanced image production technology of the Middle Ages. There, color is not a solid, impermeable layer of pigment resting on a canvas; it is the very light filtering through the lead joints—meaning, it is a transit point. Luxembourg + Co. on London’s Savile Row, in collaboration with Sam Fogg—one of the most astute observers of the medieval art world—invites us to look beyond paint and contemplate the spiritual and physical nature of light through its newly mounted exhibition, Illuminations.
On view until July 31, 2026, this exhibition brings three titanic names of modern and contemporary art—Piet Mondrian, Paul Klee, and Brice Marden—side by side with the deep-rooted heritage of the stained glass tradition.
One Dutch, one Swiss-German, and one American. The paths of these three figures, emerging from different geographies and eras, intersect within the gallery space around a single, crucial question: Is that mysterious bond between color, form, light, and transparency merely an aesthetic preference, or a spiritual necessity?
Luxembourg + Co. is a venue with strong intellectual muscles, known for its gallery programming that loves to juxtapose the historical with contemporary practice via thematic investigations, without passing judgment on either. Those who have followed its previous period exhibitions, such as Grisaille, Unpainted Paintings, or The Geometry of the Collapse, are well aware of the consistency of this curatorial reflex. Illuminations stands out as perhaps the most inquisitive, spiritual, and introspective link in that chain.
This summer, light passes through Savile Row, right between the lead lines. Allow it to dazzle your eyes, and just look.






