
The Whitworth, Manchester • August 1, 2026 – August 29, 2027 (Upcoming Exhibition)
The wellness industry pumped into our lives by the modern capitalist world usually markets healing as an individual retreat, a solitary meditation, or an inward turn. Yet, certain ancient philosophies remind us that a human being cannot heal in isolation, and that spiritual well-being is only possible within a community and through contact with it. The Whitworth gallery in Manchester dissects this fragile bond between personal well-being and collective recovery with its upcoming participatory exhibition titled “Reflections: Sangat and the Self,” set to open its doors this August. Developed in partnership with without SHAPE without FORM—a collective of artists, thinkers, and cultural practitioners drawing from Sikh philosophy—the project aims to wrench the gallery from being a sterile viewing space and transform it into an active hub for dialogue, contemplation, and community.
The exhibition brings together the recent productions of contemporary artists Jasmir Creed and Roo Dhissou alongside significant works selected from the Whitworth’s permanent collection. This pairing establishes a double-sided scale operating between individual introspection and social belonging. Jasmir Creed’s works probe the personal phase of healing by focusing directly on the individual’s inner world, emotional intensities, and processes of self-awareness. Placing weight on the other side of the scale, Roo Dhissou roots healing entirely within shared experiences, rituals of gathering, and practices of compassion and mutual care. Creed’s language, which feeds on the depth of solitude, and Dhissou’s community-embracing, hospitable practice together transform the exhibition into a multi-layered psychological and sociological experiential space.
Reflections is designed not merely as static works hung on gallery walls, but as a live organism spanning across time. In parallel with the exhibition, a comprehensive, year-long public program will be conducted alongside powerful partners such as the Wellcome Collection in London. In addition to workshops, well-being sessions, and social gatherings, a dedicated journal and podcast series will be launched, bringing together the voices of local community groups, students, artists, and Simran practitioners. Consequently, the exhibition will function beyond a theoretical art presentation, serving as a living platform for sharing and growth directly fueled by the contributions of the local public.
Reflections: Sangat and the Self argues that individual happiness cannot be independent of societal peace, and that the chronic sense of isolation brought about by modern life can only be shattered through genuine connections and kinship established with the other. Set to be experienced in Manchester for a full year starting this August, this project invites the viewer not just to look at art from the outside, but to directly confront the transformative and healing power of community consciousness.






