Sirât, a Spanish-French co-production, is considered director Oliver Laxe’s (known for Fire Will Come) boldest and most evolved work. The film takes its name from the Islamic mythological bridge between paradise and hell, a metaphor that perfectly encapsulates the characters’ perilous journey between hope and despair.
The story begins with Spanish father Luis (Sergi López) and his son Esteban (Bruno Núñez Arjona) searching for their missing daughter, Mar, in the Moroccan desert. When their path crosses with a group of nomadic ravers heading to a mysterious techno party, the film shifts from a road drama into an apocalyptic, trance-like odyssey. The line between the ecstasy of the rave (paradise) and the harshness of societal collapse (hell) blurs under the desert’s unforgiving beauty.
From Visual Manifesto to Political Critique
Sirât earned critical acclaim, winning the Jury Prize at the Cannes Film Festival and becoming Spain’s entry for the 2026 Oscars. Its success lies in its mastery of aesthetics and sound design. Cinematographer Mauro Herce’s collaboration renders the desert breathtaking and menacing. This visual splendor is underpinned by a pulsating, bass-heavy techno score by Kangding Ray (winner of Cannes’ Best Film Score), which serves as the film’s heartbeat.
The film joins the Global Arthouse Road Movie trend, using natural and hostile landscapes as “liminal spaces” that mirror the characters’ inner and spiritual states. Laxe’s vision positions this journey as an allegory for modern global instability and the refugee crisis, making it his most politically radical work to date. He relentlessly explores the question of what remains when humanity loses everything.
A genre shift midway through the film shocks the audience, recontextualizing earlier events. With this bold narrative gamble, Laxe deliberately abandons conventional plotting, prioritizing existential inquiry over story.
Film Details:
- Director: Oliver Laxe
- Starring: Sergi López, Bruno Núñez Arjona
- Release Year: 2025
- Themes: Existentialism, Ecology, Refugee Crisis, Techno Culture, and Mythology
- Award Note: Won the Jury Prize at the 2025 Cannes Film Festival.
