Now Reading: Outside Voice: A Timely Exploration of Truth and Trust at Soho Poly

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Outside Voice: A Timely Exploration of Truth and Trust at Soho Poly

July 8, 20253 min read

Outside Voice, a gripping drama presented at Soho Poly, delves into the rise of conspiracy theories, the diminishing faith in science, and the impact these issues have on personal relationships. Written by Matt Morrison and directed by Hanna Berrigan, this play raises important questions about trust and understanding in today’s world.

The story centers around Guy (Phil Cheadle), the host of Outside Voice, a live-stream channel aimed at debunking mainstream scientific views. Once a respected researcher, Guy was ousted for unethical practices and now finds himself at odds with his wife Helen (Viss Elliot Safavi), a rational philosophy lecturer poised to take on a significant role leading a government health committee.

Tension simmers between the couple, intensified by a shared but unspoken tragedy—the loss of their child—which casts a shadow over every conflict. The play provocatively examines whether relationships can thrive amidst deep-seated differences.

Dan Starkey delivers an outstanding performance as Mike, Guy’s former colleague and Helen’s close friend. His character grapples with suppressed anger, torn between loyalty and moral integrity. As he becomes obsessed with exposing Guy’s past misdeeds, he is also haunted by his own daughter Eve’s cancer diagnosis.

Eve, portrayed with incredible depth by newcomer Elle O’Donoll, becomes the emotional heart of the play. Her troubling request for Guy’s controversial “wonder drug” for cancer propels the narrative into morally ambiguous territory. The revelation that Guy administered her a placebo leaves the audience questioning whether he was trying to protect her and Helen or if it reflects his own doubts about his medical assertions.

In the gripping final act, Guy faces public disgrace but finds unexpected acceptance within the alternative health community in Los Angeles. This turn of events serves as a sharp critique of contemporary culture, where claims of being “silenced” can paradoxically elevate one’s profile.

Morrison and Berrigan do not provide easy answers, instead challenging the audience with complex questions: How far should we engage with unconventional ideas? Is hearing “both sides” ever sufficient? What happens when a loved one embodies the very beliefs you oppose?

Outside Voice is a poignant and insightful play that reminds us of the deep costs associated with disconnecting from science, truth, and one another in an era where belief often outweighs fact.

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