Malorie Blackman’s groundbreaking novel, Noughts and Crosses, has taken flight at the Regent’s Park Open Air Theatre, infusing the stage with youthful vigor amidst the enchanting outdoor setting. On another warm London evening, the sky darkens as we enter Blackman’s stark dystopian realm—a world marred by racial division and state violence, where the destinies of two star-crossed lovers are tragically intertwined.
Originally published in 2000, Blackman’s influential work first found its theatrical voice in Dominic Cooke’s well-regarded adaptation for the Royal Shakespeare Company in 2007. Now, directed by Tinuke Craig, this production makes its debut at the enchanting venue. Set against the backdrop of mature trees and looming grey scaffolding, the stage fosters an unsettling atmosphere as the light fades and leaves dance in the wind, adding a cinematic quality to the unfolding drama’s bleakness.
Craig’s direction is dynamic and daring, showcasing a series of strong performances. While it might lack subtlety or unexpected theatrical moments, it remains engaging, appealing effectively to its teenage and young adult audience. Corinna Brown shines as Persephone ‘Sephy’ Hadley, an upper-class Cross whose vibrant personality captivates, while Noah Valentine’s Callum, her Nought boyfriend, transforms from an innocent child to a desperate kidnapper, ultimately reconnecting with his true love.
The play starkly reveals the dysfunction within both families: the privilege of the Crosses offers no refuge from issues like alcoholism and divorce, while the Noughts struggle through experiences of death, suicide, and the harsh realities of state or terrorist violence. The production courageously tackles themes of teenage sexuality, the omnipresence of violence, the quiet despair stemming from alcoholism, and the tragedy of suicide and capital punishment, all extending beyond its central theme of racism.
The lasting impact of Noughts and Crosses lies in its radical reversal of traditional racial dynamics, compelling audiences to confront deeply ingrained biases. This engaging theatrical exploration of Blackman’s world emphasizes its continued relevance and its ability to resonate with viewers, many of whom may not have ventured to this beautiful London theatre otherwise.
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