Concert pianist, film composer, talk show host, and comedian: Oscar Levant’s career was filled with contradictory roles that often left him between worlds.
Good Night, Oscar, inspired by real-life events, takes us on a journey with Levant (played by Sean Hayes) as he is released from a mental health facility to appear on Jack Parr’s (Ben Rappaport) late-night Tonight Show. Parr, launching a new West Coast edition of the show, seeks something extraordinary to kick it off — and he knows just the man for the job. Having had Levant as a guest before, Parr is well aware that he will get an unfiltered stream of sharp-witted commentary on everything from politics to his own mental health struggles.
Sean Hayes delivers a standout performance that anchors the production. His portrayal captures Levant’s restless energy — whether he’s swaying back and forth, twirling, chain-smoking, or blurting out whatever pops into his mind. Hayes’ commitment to the role resonates with the intensity of legendary actors like Day-Lewis and Brando.
Doug Wright’s play is a fast-paced, witty exploration that doesn’t shy away from emotional depth. Following a successful 2023 run at Broadway’s Belasco Theatre, the production features a largely refreshed cast. Rosalie Craig shines as Levant’s long-suffering wife, June. Her pivotal role involves navigating the complexities of getting her husband back into the studio, often through deception. Craig’s poignant performance highlights the impact of Levant’s mental health on both his family and career, even if the writing for female characters feels somewhat lacking.
Richard Katz impresses as Bob Sarnoff, the stereotypical studio executive embodying a mixture of greed, micromanagement, and moral indecision. His interactions with Parr, where he lays down rules about what topics Levant can discuss, add layers of comedy as Parr disregards these guidelines live on air, resulting in hilariously predictable mayhem.
Beneath the humor, the play raises uncomfortable questions. While it’s clear that Levant thrives in the spotlight, how much are Parr and June exploiting his talents for their own gain? The authenticity of this portrayal of a man who converses with an imaginary Gershwin also invites reflection. A breathtaking seven-minute rendition of Rhapsody in Blue towards the end of the show captivates the audience, but lingering questions remain as we exit.
Good Night, Oscar runs at the Barbican Theatre until September 21.
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