Rachel Dowsett, the performer and writer, navigates this very dilemma in her 60-minute journey to find a cure for a plague and save the royal prince and the nation. Initially thrilled to land such a coveted position, she quickly realizes the numerous challenges it entails. Dowsett delivers a captivating tour de force, drawing the audience in from the start. With each character she portrays, she seamlessly transforms, showcasing a remarkable range that keeps viewers entertained and laughing throughout. Along the way, she encounters three royal messengers, each presenting her with their unique, albeit ineffective, remedies for the plague. It isn’t until the final moments that she recognizes she’s had the cure all along.
This absurd yet straightforward story enchants with its wit and flair, although it slightly falters midway when a few confrontations stretch on a tad too long.
Directed by Jacob Proctor, the production maintains a brisk pace, skillfully utilizing minimal staging and engaging the audience with delightful participation. Summer Keeling’s lighting design enhances the flow between scenes, contributing to the overall polish of the performance.
Wherever this delightful show travels next, it’s bound to draw large crowds. Just remember: don’t blame the messenger!
Hope Theatre (studio)
Jacob Proctor (director)
60 (duration)
14 August 2025 (premiere)
What do you think?
Show comments / Leave a comment