This isn’t your typical easy viewing, but for those seeking a thought-provoking drama that cleverly twists the conventional rules of modern theatre, “Romans: A Novel” offers a captivating experience.
While it raises questions about toxic masculinity, whether it provides new insights is open to interpretation—but the journey is undeniably compelling. The “Romans” in the title refers to brothers Jack, Edmund, and Marlow, as well as their father, whose narrative—from running a printing press to facing the challenges of widowhood and alcoholism—foreshadows the struggles of his sons as they navigate life from the Victorian era to today.
The reasoning behind writer Alice Birch’s decision to depict these characters over such an extensive timeframe isn’t clarified within the play, yet her expertise is evident throughout. Birch’s impressive TV credits, which include “Succession” and “Normal People,” highlight her knack for crafting engaging characters through authentic dialogue. Her stage work, notably “The House of Bernarda Alba” at the National Theatre, reflects her experimental approach that pushes beyond traditional screen narratives.
Each brother embarks on a unique journey. Eldest brother Jack (portrayed by Kyle Soller of “Andor”) and Marlow (Oliver Johnstone) endure emotional and physical abuse from a boarding school headmaster, leading them down vastly different paths. Jack immerses himself in nature, climbing mountains and sailing the seas, while Marlow adopts a ruthless persona reminiscent of King Leopold II, exploiting African villagers for personal gain. Meanwhile, Edmund withdraws from society, internalizing his trauma.
Under the direction of Birch’s partner Sam Pritchard, the play features a distinct contrast between the first act and the second. The initial scenes unfold in a nearly Dickensian style, focusing on character arcs rather than specific timelines. The brothers share their tumultuous histories from a revolving platform, offering a blend of perspectives.
As the second part shifts toward more conventional theatre, we see the brothers in contemporary roles: Jack evolves into a Sixties cult leader and celebrated author, Marlow becomes a tech entrepreneur with a cavalcade of children, and Edmund mentors others on self-discovery at a community centre. Towards the end, Birch masterfully intertwines their narratives, culminating in a frenetic blend of stories.
The female characters, played by Yanexi Enriquez, Adelle Leonce, and Agnes O’Casey, often take a backseat to their male counterparts, even when given monologues. O’Casey’s poignant speech as Jack’s wife—who gains a husband but ultimately loses her career and sanity—stands as a rare exception.
Overall, this production is a striking stylistic achievement, bravely pushing the boundaries of dramatic art into literary realms.
“Romans: A Novel” runs until 11 October.
Almeida Theatre (studio)
17 September 2025 (premiere)
3 hours
