
The art world is focused on one of the most significant cultural events to take place in the United Kingdom next month. Lebanese artist Dala Nasser (b. 1990) is presenting a monumental installation at Nottingham Contemporary with her exhibition “Cemetery of Martyrs,” inviting viewers into deep reflection on mourning, remembrance, and societal sovereignty.
This exhibition marks Nasser’s first major solo show at a major UK art institution. By transforming the silent cries of historical figures into tactile archives, the artist turns the gallery into a symbolic “collective space of mourning.”
Frottage and Cyanotype: In Pursuit of Lost Traces
At the heart of Nasser’s practice lies the frottage technique (placing paper over a rough surface and rubbing it with charcoal or pencil to capture its texture). The artist has collected charcoal rubbings from the gravestones of artists, writers, poets, historians, and journalists who left their mark across Lebanon, Egypt, Jordan, and England.
Within this “graveyard canopy”:
Between Sky and Underworld: The Structure of the Installation
The exhibition is built around a massive wooden framework that stretches across two gallery spaces. Black mourning fabrics and gravestone rubbings hang from this structure, creating a canopy of graves beneath which visitors can walk.
The power of the installation goes beyond the visual: a sound installation spread throughout the space deepens the atmosphere with a narrative that bridges the realm of the living and the dead. This multi-sensory experience physically connects the visitor to histories of resistance and renewal.
“This exhibition is not merely a lament; it is an affirmation of the power of culture and humanity to bind us to our histories of resistance.”
Artist: Dala Nasser
Exhibition Title: Cemetery of Martyrs
Dates: 7 February 2026 – 10 May 2026
Private View: Friday, 6 February, 18:30
Venue: Nottingham Contemporary, Nottingham, United Kingdom
Curators: Katie Simpson and Klara Szafrańska
Photo by Philipp Hänger.
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