
This exhibition is not merely paintings hung on walls; it is a manifesto that records through art the pains of Taiwan’s transition from authoritarian rule to democracy and globalization.
The exhibition’s title “Rising in Fire” symbolizes the group’s struggle, resistance, and rebirth over more than a quarter of a century. Hantoo members compare themselves to wild geese flying in formation; for twenty-seven years, they have watched over each other in the face of difficulties, etching their artistic brotherhood into Taiwan’s art history.
Born amid societal upheavals, the group survived with humor, irony, compassion, and defiance even in times when art held no economic promise. Refusing to simply copy Western aesthetics, they created a language that is both sharp and poetic, reflecting Taiwan’s own pluralistic and resilient spirit.
The exhibition spans two venues, including Bluerider ART London and the Taipei Representative Office in the United Kingdom, bringing together more than 60 works by 13 artists. Here are some of the standout voices in this polyphonic chorus:
Yang Mao-Lin: Transforms Taiwan’s flora and fauna into political totems.
Wu Tien-Chang: Takes the stage with flamboyant and exaggerated “Taike aesthetics” that critique reality.
Lien Chien-Hsing: Brings the magical realism of dreamlike forests to the canvas.
Tu Wei-Cheng: Creates archaeological forgeries and myths through the fictional “Punan Civilization.”
Chang Ling: Presents a satirical prophecy of geopolitical concerns.
Chen Ching-Yao: Mocks the system with self-portraits critiquing the creation of political idols.
These 13 artists paint an expressionist, ironic, and deeply emotional portrait of Taiwan. Each work is a call back to Taiwanese soil. History is still in flight, and their fire is still burning!







