Rising rapidly from Glasgow’s underground scene, VLURE radiates high-voltage energy, blending the raw anger of punk with the pulsating rhythms of electronic music. Their concerts are like a ceremonial explosion: raw, unfiltered, a rhythmic expression of modern anxieties. 🔥 “Between Dreams,” as the name suggests, wanders the hazy threshold between consciousness and the subconscious. Lyrics

🎧 Hailing from the UK, The Pedals are known for their explosive energy in the alternative rock scene. Their songs, often driven by gritty, distortion-heavy guitars and raw vocals, leave listeners with a chaotic yet cathartic experience. Balancing a punk attitude with a melancholic inner voice, the band transforms emotional intensity into an authentic eruption.

Los Angeles-based dark-pop artist Chandler Leighton takes the balance between vulnerability and strength to new heights with her latest single, SUPERMODEL. Known for her 2022 EP A Letter To My Vices and solidified by her 2024 album Proof You Weren’t the Only One, Leighton captivates with both emotional depth and bold pop flourishes. Released in

Digital soundscapes meet the rhythm of the human heart. Canadian musician Stefan Brodbeck’s project Laptop shines in the indie electronica scene with a melancholic glow. Blending warm synth textures, soft beats, and memorable melodies with introspective, poetic lyrics, the project invites listeners into a dreamy yet deeply emotional atmosphere. 🎧 Additional Animals This track unveils

A Haunting Reminder from London’s Melancholic Indie-Rock Scene Sorry, led by Asha Lorenz and Louis O’Bryen, is a London-based band navigating the borders of indie rock, post-punk, and experimental pop. Known for their distorted guitars, spoken-word passages, and unconventional song structures, the duo channels the dark, sometimes surreal aspects of modern life and relationships into

A Rebellious Rock Salute from Arizona: Do Your Own Thing Hailing from Arizona, The Black Moods are one of the rare bands blending classic rock heritage with modern energy. The trio, consisting of vocalist/guitarist Josh Kennedy, drummer Chico Diaz, and bassist Brenden McBride (noted as Jordan Hoffman in some sources), has been dominating stages since

A Night Drive Through Australia with an ’80s Spirit Radio Free Alice, one of the standout names in the new wave of post-punk, is a four-piece band hailing from Melbourne, Australia. Formed in 2020, the group consists of Noah Learmonth (vocals, guitar), Jules Paradiso (guitar), Michael Phillips (bass, saxophone), and Lochie Dowd (drums). They seem

“VAPE, PHONE, KEYS, LIPGLOSS”… but nowhere to put them? Yep, that’s a punk issue. Hailing from Cardiff, the five-piece punk/indie rock band Panic Shack is back with their new single “Pockets,” released on July 15, 2025, sparking a rebellion that’s both hilarious and thought-provoking. The song is a raw take on the universal frustration of

A chase story that blends the rhythm of jazz, the power of rock, and the flow of hip-hop in a single melting pot. Hailing from London, Splitting Edges has been breaking down genre boundaries since 2019. Led by Lydon Peacock (vocals), Bradley Osborn (drums), and Nathan Cannon (guitar), the band crafts a unique universe by

The directing duo, Danny and Michael Philippou, known for their work on Talk To Me, are back with a fresh take on horror in their latest film, Bring Her Back. Written by Danny Philippou and Bill Hinzman, this psychological thriller delves into the chilling experiences of two step-siblings who stumble upon a horrifying ritual at

A High-Energy Night Anthem from Australia’s Rising Indie-Rock Stars Australian four-piece indie-rock band The Rions return today (July 25, 2025) with their new single “Tonight’s Entertainment.” Despite their young age, the band shot to fame after winning triple J Unearthed High and continues to build anticipation for their debut album. “Tonight’s Entertainment” is the title

A Song of Transformation Rising from London’s Melancholic Soul Hailing from Tooting, London, and now creating her own musical cosmos under the name Absolutely, Abby-Lynn Keen embarks on an inner journey with her new single “Goodbye Glitter”, shedding the glossy coat of pop for something more introspective. Formerly known as “àB.”, the artist is now

A Four-Person Sonic Anarchy from Portsmouth: There’s Noise, There’s Rhythm, Even Worms Even pronouncing their name is an experience in itself: LIPWORMS. But the real experience begins the moment you hear the music of this Portsmouth-based alternative quartet. Their new track “Teeth” is the latest example of a madness that shatters every rule of genre

Tim Minchin’s life took a pivotal turn 20 years ago at the Edinburgh Fringe, and tonight he commemorates that milestone with a showcase of 20 songs. There’s much to celebrate; few artists have such a distinct and successful career. You can feel that Minchin is exactly where he wants to be. Accompanied by a five-member

Hailing from the heart of London, World News is shaking up the music scene with their electrifying blend of post-punk and indie rock! The quartet—Alex Evans (vocals/guitar), Rory Evans (bass), Malte Henning (drums), and Jack Tollman (rhythm guitar) captivates with their jangly yet atmospheric riffs, introspective lyrics, and raw emotional depth. Since late 2024, tracks

On England’s shores, perhaps during a sunset or a moment alone with a chilly breeze, there’s something you need to hear: London-based indie duo Beachtown’s new single, “Stuck in My Ways,” released on June 13, 2025. The song carries an inherent sense of vulnerability from start to finish. Beachtown’s music feels less like a beach

Pink Floyd was a band marked by inner conflicts, musical disagreements, and personal rivalries. Given their tumultuous history, much of the discussion around the group often centers on the tensions between its members and the shifting dynamics at play. However, one individual remained a steady presence throughout it all: Richard Wright, whose contributions are often

As the UK synthpop scene began to emerge from the shadows of post-punk at the end of the 1970s, one standout figure unexpectedly surged to the top of the charts, astonishing both fans and fellow musicians alike. While artists like John Foxx pushed Ultravox into new electronic territories and The Human League experimented with alien

There’s been a noticeable transformation in Wolf Alice’s live performances lately. Ellie Rowsell has stepped out from behind her guitar, standing confidently as a powerful frontwoman. Her evolution is driven by a deep desire to fully embrace her identity and become the artist she was always meant to be. Unlike many frontpersons, Rowsell doesn’t come