A Journey into the Memory of Art Institutions: “Where Did We Come From: Reading Vasıf Kortun”

When speaking of the institutionalization process of contemporary art in Turkey, one of the first names that comes to mind is undoubtedly Vasıf Kortun. Published in collaboration between Salt and Robinson Crusoe 389, “Where Did We Come From: Reading Vasıf Kortun” is not merely a biography or an extended interview; it is a comprehensive record of how a period, a city, and the institutional identity of art were constructed.

The in-depth conversation conducted by Sezin Romi with Vasıf Kortun takes the reader beyond exhibition halls—into the kitchen, the debates, and those decisive moments when vision took shape.

Yesterday and Tomorrow of Cultural Institutions

This 288-page publication serves as an essential reference for anyone interested not only in what the art world presents, but in how it exists. We do not hear only the voices of Romi and Kortun; texts from many significant figures both local and international—such as Charles Esche, Manuel Borja-Villel, and Defne Koryürek—accompany the narrative.

What Does It Discuss? The place of institutions in collective memory, the sustainability of independent art spaces, and what kind of cultural climate awaits us in the future.

Design: The visual language of the book carries the signature of one of Turkey’s most important designers, Esen Karol. This elevates the work from a mere reading material to a design object in its own right.

Mark Your Calendar: Launch and Event

In honor of the book’s publication, a collective discussion environment will be created. If you have something to say about the future of art, or simply wish to witness Kortun’s vision, do not miss this event:

Date: Friday, February 27, 2026

Time: 18:00

Venue: Robinson Crusoe 389 (Salt Beyoğlu)

❝ This book is a compass reminding us that it is impossible to predict “where we are going” without first understanding “where we came from.” ❞

Ambience: Set the Scene While Reading This Book

To fully immerse yourself in this book, feel yourself in the historic yet constantly renewing atmosphere of İstiklal Avenue. Here is a Galata/Beyoğlu ambience to accompany you:

Music: In the background, let the electronic tones of Islandman—blending modern and traditional—or Nils Frahm’s minimalist piano compositions echo. A clear yet contemplative sound.

Setting: If you are in Istanbul, withdraw to a corner in Salt Beyoğlu’s winter garden or among the tall shelves of Robinson Crusoe 389. Outside, the hum of Beyoğlu; in your hands, the story of how that very hum was transformed into art…

Drink: Freshly brewed plain tea or a classic Turkish coffee.

This is the kind of publication that changes the air in the attic—dense, reflective, and deeply rooted in the history of Turkish contemporary art.